Discussion Topic Six (2009/10/8~10/26):
In the French musical adaptation of Romeo and Juliet (2001), William Shakespeare's original story plot retained its overall structure but some of its specific features were stressed and emphasized, especially in the psychological exploration of each major character--through touching songs and acting-- and in the personification of the role Death, or Destiny, played in this tragedy--through silent body movements and facial expressions of a female dancer.
Discussion topics:
(1) By so doing, what special effects did this French musical adaptation attain, in addition to its tremdous popularity worldwide?
(2) What is your reception of this musical?
Here is the link to the theme song "Aimer" ("To Love!")
Here displays the lyrics for you to sing along
http://www.youtube.com/watch?v=cnPViMJqs0o
A Trip to Verona
On her trip to Italy, my sister Sophia Huang went to Verona to take a look at this legendary but fictional balcony of Juliette's. Here is the postcard she bought me. Romeo's family mansion is still standing in ruins but no many people go visit there inspite of its authenticity. It seems that a majority of people care about the love between Romeo and Juliette, instead of just Romeo or just Juliette.
My reception of the musical: Songs and dances help the characters in the play articulate their thoughts and define their individual positions in the plot.
I. On the psychological exploration of each major character--through touching songs and acting
The actors and actresses recuited into this musical emdody both acting and signing talents, and the dancers' performace presents both modern and classical features. In addition to these, the songs composed for each actor/actress to be delivered on special occasions serve as magnifiers or probs that disclose the secrets hidden in the depths of individual soul.
The songs that impress me most are
(1) the Nurse's song entitled "And Now She Is in Love," which reveals the Nurse's deep concern for Juliet's happliness and her jealousy toward Juliet's mother,
(2) Lord Capulet's song entitled "Having a Daughter" ("Avoir Une Fille"), which shows the deep and possessive love a father has for his beloved daughter and sbsequently the daughters of other people, and most of all
(3) "All for Love" ("Aimer"), delivered by Romeo, Juliet, and Brother Laurent at the alter upon the couple's wedding ceremony.
Through the performance of the songs, which involves voices, lyrics, and body language, the inner world of each character was open to the audience. I felt so much touched, especially as a parent, by their abililty to love and to articulate this emotion.
Other songs in the musical also informed me about each character's mental state in relation to his/her family background, e.g., Tybalt and Mercutio, and this understanding helped to clear the path toward understanding the development of the drama. Against the corrupted background of Verona, each individual still kept a devoted and loving heart to his/her beloved. However, this very loving heart at the same time was capable of doing extreme harm to its rivals. The heart isa double sword: It can kill and cure at the same time. Can a killing heart be cured? The answer is love, "aimer."
The melody and lyrics of "Aimer" are loaded with aspiration for love and beautiful prospect in love. (I will transcribe the lyrics with Chinese translation as soon as I find time. Please wait!) It appears to me that young hearts would rather stop living for love than living without love, whereas aging hearts stop loving to endure a lifeless life. This view is much celebrated in the context of Romeo and Juliet, where hatred filled every cornor of the community and the resort adopted by the couple to counter this omnipresent hatred was love.
In that context, the couple was channelled to face death and each of them was given the right to choose between "to be" or "not to be." When Romeo saw Juliet's motionless body, he could just turn away and run for his life. Likewise, after the wakening, Juliet could ask for understanding from her parents and go on with her life. However, both of them chose to exchange love with their lives: For them, that's the only way to fulfill their love in that situation. It's apparent that the value of love was placed higher than that of life. Their choice for life was the path of love.
Do I personally agree with their choice? Don't forget that they lived in a fictional world. In reality, with a passionate heart that still feels and aspires, I would look for a solution--mostlikely, a compromise, and as an adult with children I have more important concerns. The secrets to break through the mist is "excahnge" and "choice."
Life is full of transactions of many kinds, and we have to strike a balance. There is a balance scale in life for us to measure exchanges, and the pivot point changes positions in different stages of life. It depends on the weight you put on the value you are holding at that juncture. It is a choice, and we have to choose wisely, taking into consideration of the voices from the head and the heart. The prerequisite is self-understanding and an open heart.
There is a minor character observing all the events in this musical, i.e., the poet (Juliet's friend), who presumably wrote down the whole story, and there is Romeo's friend Benvolio, who stayed alive through all these ordeals. They had a big picture of the whole story and they had the chance to experience more of life. Although these two roles were not on the center stage, they presented an alternative stand in life. They were there on the background for us to spot. Do you see them?
There are times when these minor characters would loom into big figures. Before then, get prepared and live a meaningful life. (In other words, let's study hard and learn to think independently with creativity!)
II. On the personification of the role Death, or Destiny, played in this tragedy--through silent body movements and facial expressions of a female dancer.
In this musical full of touching songs, Death (or, Destiny) was the only one character that remained silent yet powerful all way through. Personified as a female dancer with minimum draperies, this character "spoke" through her body language and her moves were terrifying and uncountable: to snare Tybalt and Mercucio in her arms to endow them with death, to blow a death breath into Romeo's mouth to end his life, and to hand Romeo's daggar into Juliet's hand to initiate her suicide.
The omnipresent power of death was embodied in these movements, and the psychological effects were powerful. I think all living creatures possess this instinct of death approaching. It's a common experience for all to stand vis-a-vis Death, and none of us can outwit him/her for long.
So, let's cherish every living and loving moment in life!
Discussion topics:
(1) With its emphasis on the exploration of the inner world of major characters through songs and dances, what special effects did this French musical adaptation attain, in addition to its tremdous popularity worldwide?
(2) What is your reception of this musical? What appeals to you especially in this performance?